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There is within us–in even the blithest, most light hearted among us—a fundamental dis-ease. It acts like an unquenchable fire that renders the vast majority of us incapable in this life of ever coming to full peace. This desire lies in the marrow of our bones and the deep regions of our souls. All great literature, poetry, art, philosophy, psychology, and religion tries to name and analyze this longing. We are seldom in direct touch with it, and indeed the modern world seems set on preventing us from getting in touch with it by covering it with an unending phantasmagoria of entertainments, obsessions, addictions, and distractions of every sort. But the longing is there, built into us like a jack-in-the-box that presses for release. Two great paintings suggest this longing in their titles—Gauguin’s “Who Are We? Where Did We Come From? Where Are We Going?” and de Chirico’s “Nostalgia for the Infinite”—but I must work with words. Whether we realize it or not, simply to be human is to long for release from mundane existence, with its confining walls of finitude and mortality.
Huston Smith, Why Religion Matters: The Fate of the Human Spirit in an Age of Disbelief (New York, N.Y.: Harper Collins, 2001), p.28
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Avatar A parabola is one of the most dynamic forms in nature. It is the curve of a bowl, the path of a ball soaring upward and down to earth again. The founder of this magazine decided it was a good name for a journal devoted to the search for meaning, which often goes outward, then back home again along a different path.

More than thirty-five years later, PARABOLA does what other magazines and media cannot. Four times a year, we explore one of the timeless themes of human existence, drawing on wisdom from the world’s traditions, ways, and art. At PARABOLA, we further understanding, peace, and tolerance one reader at a time. .

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